Free “Paris Is Burning” Screening and Panel Coming to FIM Capitol Theatre Oct. 15

FLINT, Michigan — The University of Michigan’s Institute for the Humanities and the University of Michigan-Flint’s Center for Gender and Sexuality will present a free, one-night-only screening of the landmark documentary Paris Is Burning at the historic Capitol Theatre on Thursday, October 15. Doors open at 6:30 p.m., the film begins at 7 p.m., and a moderated panel discussion will follow.

Filmed over seven years, Paris Is Burning offers an intimate portrait of New York City’s African American and Latinx drag ball scene in 1980s Harlem. The film follows rival fashion “houses,” competitions, and coveted trophies, while highlighting the role of house mothers who created belonging and support amid homophobia, transphobia, racism, the AIDS crisis, and poverty.

“The Institute for the Humanities is delighted to collaborate with the Flint community,” says Shaunda Bunton, Assistant Director, Community Programs & Engagement for the Institute for the Humanities. “Paris Is Burning is part of this year’s Humanities Film Series, where we amplify the voices of the human condition.”

The film features legendary figures including Willi Ninja, Pepper LaBeija, Dorian Corey, and Venus Xtravaganza, and traces the artistry and language of ballroom culture that later influenced fashion, dance, and popular culture.

“Paris Is Burning recognizes the heart of [Transgender Queer People of Color] (TQPOC) community in celebration of joy and culture,” says Samara Hough, Director of UM-Flint’s Center for Gender and Sexuality. “This is an opportunity for the Flint community to come together and cultivate unity through connection and shared artistry.“

The post-screening panel will feature Lilianna Reyes, health equity and outreach director at the Ruth Ellis Center; Anwar Anderson, early intervention specialist at Wellness AIDS Services; and Jack Day, a legendary father in the ballroom community. Xzavier V. Simon of The Modern Queer will moderate.

The film was digitally remastered by the UCLA Film & Television Archive with Sundance Institute and the Outfest UCLA Legacy Project, with preservation funded by Sundance Institute, Outfest, and the Andrew J. Kuehn Jr. Foundation.